Hello, Good Evening, Welcome, To Nothing Much
Before I started this blog I wrote some gig reviews across facebook and forums so thought I’d collect them all together for when I’m old or older to reflect back on.
Jim Bob – Shepherds Bush Empire
Was a little concerned about how this show would pan out. Going from the bombast and aural assault of a Carter show to a solo acoustic show in a biggish venue I thought might be a tough one to pull off. My fears were generally unfounded. Turned out to be night of celebration of some great Carter songs mixed in with some of Jim Bob’s under rated solo stuff. There was the occasional accompaniment on piano from Chris TT. No Fruitbat and Jim got that one out of the way early. I’m sure a few of us, including me, were secretly hoping for some kind of Carter reunion.
I sang myself hoarse and unlike the Carter shows I didn’t crowd surf but quite a few did. Not quite the sea of bodies that Sheriff Fatman would encourage at Brixton Academy but not a bad effort. I do miss the Carter shows though and although I enjoyed this it wasn’t a substitute. I can’t see myself going down to London on a regular basis to see this show as I would for Carter. It was what it was and I had a good night and Jim Bob is always engaging company but the acoustic show just doesn’t quite fill the gap. Of course I’ll go and see him if he’s closer to home and I’ll continue to hope that Carter USM will once again blind and deafen me in the future.
Warrior Soul – Audio
I’ve always fancied going to see Warrior Soul but never got round to it until last night. I loved the Space Age Playboys album which is now over 20 years old and few other bits and pieces. Their latest album Back On The Lash is pretty good if you like Kory Clarke’s shtick. He doesn’t have the world’s best voice but it suits his kind of music brilliantly. And you have to hand it to the professionalism of the band as there were maybe around 70 people there but they played it like a sold out show in a bigger venue. I wasn’t familiar with a lot of the stuff but you kind of know what you’re getting. Most enjoyable and I even enjoyed the support act the Swamp Born Assassins who did a nice line in some hard blues based rock.
All in all not bad for £12.
Mark Thomas – Tron Theatre
This was a much different format to what Thomas usually does. Rather than just him his show was centered around a comedy club/workshop he did in a Palestinian refugee camp in Jenin and 2 of those from Palestine who were involved in the club made up a 3 man show. It was the usual mix of activism and humour that Thomas does so well. He seems to get himself into some bizarre situations but somehow survives to tell the tale. Although this was a commendable idea I thought it didn’t quite work. It was all a bit too disjointed for me and it never seemed to flow like his shows normally do. The two guys from Palestine Alaa Shehada and Faisal Abu Alhayjaa were funny and good side men and although I really struggled to make out what Alaa said a lot of the time they had their genuinely funny moments. The highlight of which was probably when the 3 of them were impersonating the committee who oversaw the dress rehearsal before allowing the show to go ahead in Palestine.
Thomas as ever tackles some serious and harrowing issues with a blend of comedy and a massive dose of couldn’t give a feck. Tonight wasn’t the best I’ve seen him but you know his heart is in the right (on) place.
Brit Floyd – Concert Hall
I’m not really a tribute band kind of guy but in the last year I’ve now seen 2 Floyd tribute acts MacFloyd and now Brit Floyd and both do a fantastic job of recreating the Floyd sound. After last night Brit Floyd have the edge on MacFloyd with better visuals, stunning sound and the vocals but to be fair there isn’t that much between them. It was my brother in law who asked if i fancied this originally but I baulked at the prices which were £50 for a top price ticket. I clearly wasn’t the only one who was put off as it then came up on groupon with a 50% off offer which was more like it and it was well worth the £17.50 I eventually paid.
The lighting show was excellent with the the traditional Floyd circular screen along with lasers, mirrorballs etc. Real old school but fitted the music perfectly. The vocals were spot on especially the bass player who did a fantastic version of Southampton Docks and the Final Cut. All the favourites were there plus too much latter Gilmour Floyd for my liking. Musicianship was outstanding and they recreated the songs perfectly. They had the female backing singers and the girl who did The Great Gig in the Sky section was absolutely outstanding.
As with any tribute band no matter how much you enjoy it you know it’s not the real thing and there is always an element missing but this was probably as good as it gets and I’ll definitely be back next time if the price is right.
Michael Rother – Liquid Rooms
Two krautrock legends for the price of one with Hans Lampe on drums. Just a fantastic night for any krautrock fan who has a love of Neu. Rother’s guitar playing is sublime and Lampe’s drumming occupies a very narrow corridor but his motorik beat and style is completely mesmerising.
It’s great that some of these pioneers are now getting the recognition they deserve. I hope it’s not too long until we see them again as it was just brilliant from beginning to end. Top 5 gig contender although lot of heavyweights on the gig front this year.
The Levellers – Old Fruitmarket
The crusty grebo anarchists go acoustic. Only got a ticket for this yesterday but quite fancied it as thought their music would suit the acoustic format. It turned out to be a gig of two halves. The first 50 mins or so were a bit plodding and in places was just plain dull with a few highlights including opener Exodus which I thought was setting up the night to be a good one but it was a partial false dawn. Then when they played Julie 50 mins in it was if someone had switched a light on and from then on in it was excellent with a cracking version of Men-an-Tol which was the best of the night for me. I think the first half was down to them playing less well known songs and although it might just have been me but I found it a bit tedious until Julie. If they had stuck to the best of/greatest hits type show it would have so much better but I’m sure the diehards loved it. Although after seeing some of the diehards it’s hard to carry off the crusty/grebo look when in your 50s/60s but kudos for trying.
A qualified success but I much prefer the electric Levellers sound.
And I don’t know what it is about acoustic music but there was nearly another bout of fisticuffs last night during the encore. Not sure what kicked it off but there was a bit of pushing and shoving before the smallest female security guard I’ve ever seen got in the middle of it and sorted them out.
Steel Panther – Academy
As lewd and as crude as ever and still great fun. Not for the faint hearted or the more prudish amongst us but Panther continue to strike the balance between parody and, I suppose, credibility. Their songs are brilliantly crafted smut fests of genius. It’s now 9 years since I first saw them and I’m as surprised as anyone they’ve stretched it this far but if they continue to write classics like Goin’ In The Backdoor, Poontang Boomerang and That’s When You came in (and Blew Me) then they can continue to put a smile on my face for many years to come. Of course we still have the classics of Asian Hooker, Death To All but Metal and Community Property, one of the greatest songs ever written, to enjoy. Their between song pastiche is sometimes hard to follow given the dodgy academy sound but they are funny guys who play their roles to the max.
Great entertainment and a good start to what is looking like a potentially vintage year for gigs already.
Fish – Tolbooth, Stirling Dec 6th & ABC Dec 21st
Fish is slowly bringing his career to a close. This was initially touted as the last tour and was going to compromise the whole of the Clutching At Straws album and songs for the new album Welschmertz. Due to a combination of health issues and not getting the sessions off the ground the new album is still at the planning stage. So we got all of the brilliant Straws bookended by a mix of Fish solo stuff. Not quite in the Childhood bracket but not far behind. The Tolbooth was advertised as a warm up show and where they had been rehearsing. Always great to have a show in an intimate venue and so it proved. A few missed cues etc due to first night issues but Fish was in good form as was his band. These days he does struggle to hit some of the higher notes and had the assistance of a female backing singer to help him out. Glasgow was much more polished but I enjoyed the Stirling show more. I also bumped into the man himself after the Stirling show on my way back up from the town and he was very talkative and we discussed such issues as the effects of brexit on touring (a complete nightmare), swapped back surgery stories, the general state of the music business and talked about walking football. Always been one of my favourite artists and a bonus to meet him and have a chat.
Kevin McDermott – Admiral Bar Dec 13th
First of four gigs in 4 days. An acoustic show that saw the audience in good voice and Kev in good humour. Always a delight and next year for some new material.
Extreme – Academy Dec 14th
Over 26 years since I last saw Extreme. Not much has changed. Nuno Bettencourt is still an outstanding guitarist although the solo spots did drag a bit. Gary Cherone is still an odd front man with a great voice. They played the vomit inducing More Than Words but the rest of the Pornograffitti tracks were the show’s standouts.
Jimmy Barnes – King Tuts Dec 15th
Always been a bit of a bucketlister this one. The mid 80s albums Freight Train Heart and Working Class Man are big favourites and although I kind of lost touch with his output since then I always wanted to see him live. I’ve never seen so many people on the Tuts stage before. Nine in total including Barnes’s daughter on backing vocals and his son on drums. A most enjoyable night.
Mogwai – Hydro Dec 16th
Had my doubts they could pull off this size of show but they did a pretty good job on the night. The floor was busy but most of the seated area was curtained off. They also managed to make it loud enough along with a simple but effective light show. Mogwai Fear Satan as usual the highlight for me. Hopefully back to something a bit smaller next time but a qualified success.
Gun – Barrowlands
I really didn’t think I could be arsed going to this one. With a run of 8 or more gigs in December I thought I might give this one a miss and all week I couldn’t really decide one way or another. Then an offer of a free ticket came along and that tipped the balance and I’m glad I made the effort in the end. Gun were excellent and could possibly be a top 5 gig contender and no one more surprised about that than me. You can never underestimate the power of the Barrowlands to move a gig up a notch or two and Gun themselves seemed to raise their game. We had a fair chunk of songs off the new album and they were more than passable but it was the oldies the fans really wanted to hear and Better Days, Inside Out , Don’t Say It’s Over and Steal your Fire had the Barrowlands jumping and in full voice. Unfortunately the abomination that is Word Up is still in the set but the other cover Fight For Your Right to partyyyyyyyyyyy which finished the gig was brilliant and tagged onto the end of Shame on You was a particularly strong way to finish the show
Dante is still an uncomfortable front man but he’s 10 times better than he was a few years back but i don’t think he’ll ever be a natural and relaxed in front of the mic. On the plus side his singing is much better and he now seems to remember most of the words. A work in progress. I also managed to snare a memento of the show when a drum stick came sailing in our direction and hit the floor. I was first to spot it and claimed my prize.
A surprisingly excellent night and it didn’t even cost me a penny.
Robert Plant – Perth Concert Hall
My first ever gig in Perth and what a belter. When I saw the Plant dates i really didn’t want to go to the Armadillo as it manages to suck the atmosphere out even the best of acts although going by the reviews Plant seemed to overcome this draw back. I even was in 2 minds about going at all but an offer of a Perth ticket from a pal and I quickly changed my mind. The last few Plant shows I’ve found very frustrating as Plant messed about too much with the Zep songs and always under sang and never really let rip like we all know he can. I’ve finally accepted that the last time I’ll hear Plant singing Zep as nature intended will be the O2 gig back in 2007. Once I accepted that then I just enjoyed this legend for what he is. A fantastic singer surrounded by a fantastic band. A totally enthralling night that was a mix of solo and Zep stuff and it was bloody good. Plant may be nearly 3 score and 10 but his voice is still rich and vibrant and he did occasionally step into rock god mode particularly on a brilliant What is and What Should Never be. He’s happy and comfortable enough to let his band take their moments and seems pretty much at ease with everything these days. Other Zep highlights were Babe I’m Gonna Leave You (not strictly a Zep song though) and That’s The Way. A much more enjoyable night than previous Plant shows and I should just enjoy being in the presence of greatness as we never know how long we’ll get to enjoy one of rock’ biggest legends.
Alice Cooper, the Mission, the Tubes – Hydro
Gigs all over the place last night. I was lucky enough to win tickets to this one and probably wouldn’t have bothered otherwise but glad I did.
The Tubes were ehm… interesting in a glad it was only a short set. They weren’t terrible and had a couple of moments and Fee Waybill is a bit of madman but the music just wasn’t my thing for the most part. couple of nice solos from the guitarist though. Just about worth getting in early for.
The Mission – Barrowlands 1994 was the last time I saw Hussey and co. Not sure why they fell off my radar as I was a big fan back in the day and I remember the Eskimos building human pyramids at the Barras. Was fascinating to watch. Hussey has lost none of his friction with the audience and likes to wind them up. probably more done in good humour these days but he always liked to try and rub the audience up the wrong way. Also seems to have hung onto the nucleus of the band with Adams and Hinkler still there which made for a tight set and mostly made up of Mission classics like Severina, Wastelands, and opener Tower of Strength. Even had time to throw in a Neil cover of Like a Hurricane which they did back in the day, also on Neil’s 72nd birthday. An enjoyable trip back to the late 80s and might go and see them on their own next time.
Alice was the consummate professional. He may be pushing 70 but he’s rarely changed over the years much like his set. I thought it was over 30 years since I’d seen him it was in fact just 20. He’s surrounded himself with a band of young bucks with 3 guitarists including Mega Murray who replaced Orianthi. She was a whirling dervish on stage and a pretty mean guitar player. His band could have been his grandkids
You know what you get with Alice though. Guillotines, monsters, general madness and songs about having sex with the dead. ‘Ethyl is cool in bed, she ought to be, cause ethyl’s dead’. Throughout it all Alice was the ringmaster allowing his band their moments in the spotlight. Also the big draw for the die hard Alice fans is the original living members of the Alice Copper Band who came on for the last 4/5 songs and despite the odd missed cue etc. gave the youngsters a run for their money. You could rhyme off pretty much most of the set straight off with I’m Eighteen, Under Your Wheels, I Love the Dead, Billion Dollar Babies, No More Mr Nice Guy and set closer Schools Out with all the band members on stage but other highlights included Department of Youth and Only Women Bleed.
Alice like his contemporaries won’t go on forever but he still puts on a show that is macabre cartoon rock at its best and few if any do it better than Alice.
The Waterboys – Armadillo
A rather average and disappointing night in the company of Mike Scott and The Waterboys. It didn’t help that the venue was the Armadillo which just seems to suck the atmosphere right out of a gig but on this occasion though it wasn’t really the venues fault. With a new double album out I expected a few songs from Out of All this Blue but playing 13 songs from it out of a 20 song set was really stretching things and as a result the gig never really got going. Given the new album is at best ok with a few good songs on it this was a long haul. Starting off with 5 new songs was a real test and received a smattering of polite applause but I doubt anyone in the venue wanted to hear that many in the whole set never mind as an opening salvo. He even managed to compound this by repeating the closing refrain of Love Walks In over and over again for what seemed like forever. You could almost sense the awkwardness. Then we get to his band. Bizarrely he had 2 drummers for what reason I don’t know other than one of the drummers provided a bit extra percussion on a few songs. Ralph Salmines is more than capable of carrying out drumming duties in his own. Keyboard player Brother Paul might possibly be the greatest keyboardist in the history of keyboardists but his over the top acts of quirkiness just annoys me even more every time I see him. Mike said that he was the guy him and Steve Wickham had been looking for all their life so we’re stuck with him for the foreseeable. His inclusion is probably partly to blame for the direction The Waterboys have taken in the last couple of years. And then we have the backing singers who could sing but Mike had them up front right beside him and their rather odd dancing and complete failure to be choreographed in any way was really distracting. Added to Brother Paul’s prancing around, the right hand side of the stage was best avoided.
But it wasn’t all bad, honest. Steve Wickham is still the ‘fella that fiddles’ and he shone through the gloom, although might just have been me but I sensed he was used much more sparingly than usual and was off stage a fair bit of the show. The new is guy Bart Walker on guitar from Nashville and he was shit hot throwing licks out all over the place as the band jammed on a few songs. And of course there is Mike Scott, recently married and also became a dad in February, who commands the whole shebang. He’s one of Scotland s most under rated song writers and artists and indeed a lot of people don’t even know he’s Scottish. He still has a great voice and tells a great story but i don’t know what he was thinking putting so many new songs in the set. He’s old and wise enough to know what his crowd want but maybe that’s why he did it to challenge us or some other muso bollocks. Anyway he’s earned the right to do whatever he likes and he’s also got plenty brownie points in the bank with me to have the odd off night.
The highlights were sadly few and far between but When Ye Go Away complete with Walker on banjo was pretty good, of the new songs, Morning Comes Around too Soon and The Connemara Fox stood out.
And to end my partial rant if I don’t hear Whole of the Moon and Fisherman’s Blues again live then it will be too soon. Although it did almost get a lacklustre crowd going but I’d much rather have a Red Army Blues, Pagan Place, Church Not Made with Hands or Saints and Angels in their place. I hope he drifts back towards a more acoustic guitar sound in the future butIi fear the middle of the road rock stuff is here to stay for a while.
Placebo – Usher Hall
Placebo are still on their 20th anniversary jaunt and were in blistering form tonight. Seen them many times but there was something a little extra in this performance. Brian Molko seemed in a rather good mood and although he was once a gorgeous looking androgynous man he now just looks a bit like an old man. Time hasn’t been kind to him. Still it’s all about the music and the set was littered with classic Placebo songs in Pure Morning, Without You I’m Nothing, Special K and real golden oldies in 36 degrees, Teenage Angst and Nancy Boy. The highlight for me though was a brilliant Exit Wounds from the last album Loud Like Love. They also like their strobes but they work well with their type of music. I know not everyone’s cup of tea but Placebo rarely put on anything other than a great show.
Gary Numan – ABC
This was a curiosity gig. Are Friends Electric was a guilty pleasure back in the day when I was a metal head and admitting to liking a song with synthesizers in it was blasphemy. I noticed a few years back he was playing Download and I thought it must be one of those ‘novelty’ acts that festivals sometimes go for. Then I saw highlights of the festival on Sky Arts and feck me he’d gone all industrial and it sounded quite good. So thought I’d give it a go and it didn’t disappoint. A set that was largely culled from his latest album Savage which I’d briefly listened to before the gig. It’s a damn fine album but the first song I really recognised was Down In the Park and it was one of the highlights. I did wonder how he was going to tackle the hits in Cars and Are Friends Electric but he just industrialised them and they sounded great. I’ve now got a bit of catching up to do regarding his recent output but it won’t be the last time I go to see him.
Therapy? – Bannermans
In normal circumstances this would be one of the loudest gigs of the year but Therapy? are doing a relatively short acoustic tour and although I had my doubts how it would work in reality it worked really well. The more laid back set up gave frontman Andy Cairns a platform to talk about the songs and tell stories and he is a great yarn teller. The set was a delve into some of the darkest corners of the band’s back catalogue along with some crowd favourites. Although I missed the ferocity of their usual live show it was a most enjoyable and entertaining evening in the company of one of rock’s most humble bands. They seem genuinely nice guys and although the band had some amazing highs in the early days they have known some really tough times but now seem happy they’ve returned at a certain level and appreciate what they’ve got and allows them to look at the music business from a rather cynical but hilarious viewpoint. Andy Cairns should really write a book. Highlights were Screamager where they got the crowd to do the guitar part because ‘it sounds shampoo on an acoustic’. An even more uncomfortable acoustic Diane in tribute to Grant Hart and of course set closer Die Laughing. New album has been written and recording should be finished before the end of the year so we can look forward to full on electric shows next year.
Radiohead – Trnsmt Festival, Glasgow Green
An interesting night in the company of Radiohead. The last hour was fantastic, the 90 mins before a mix of genius, self indulgent bollocks and hit and miss experimentalism. It was one off the bucket list but I’m just not a fan of the meandering jazz like path some of their songs take. At times they do genuinely sound they are all playing a completely different song from everyone else in the band. Just not my thing and parts of the show dragged a bit for me.
But when they hit the sweet spot, wow. Yorke’s voice may be an acquired taste but the boy can sing and even though he’s a miserable sounding sod some of the emotion in the vocals was spine tingling. The ‘Rain down’ refrain on Paranoid Android and the ‘I lost myself’ refrain on Karma Police truly stunning. I absolutely love The Bends album so hearing Fake Plastic Trees and the title track made it all worth while. I’d have loved more of that but I should have gone and seen them 20 years ago.
Iron Maiden – Hydro – Shinedown as support
This is how you do a metal show for a reasonable price (£65). Eff you Metallica
This was one of those paperless ticket events and by the look of the queues outside we’d be lucky to get in for Maiden never mind Shinedown but it all moved fairly quickly and we got in in time for support act Shinedown. I saw them supporting Alterbridge a few years ago and really like the the Amaryllis album, the new one not so much. What I like about Shinedown is they played as if they were headlining not like some bands who are so grateful to be on tour with such a big band and just play and feck off. Shinedown really went for it including singer Brent Smith coming down in to the crowd to try and get everyone involved. He’s fascinating to watch. As a friend said he’s a bit Robbie Williams in some of his actions but he’s quite engaging. Their 50 odd minute set never let up and they were an excellent warm up for Maiden. I’d have liked a few more songs from Amaryllis but small complaint.
Maiden were, well just Maiden. 37 years after I saw a fresh faced young band from London supporting Priest at the Apollo Maiden really haven’t changed all that much. You know what you are going to get and they deliver what you expect and more. Set was a mix of new stuff from the Book of Souls and a long list of Maiden classics including Wrathchild, The Trooper, Number of the Beast and Fear of the Dark. The new songs are just epic including a brilliant The Red and the Black. The stage show was pure Spinal tap complete with ever changing back drops of Eddie and of course the appearance of Eddie on stage plus the extra big Eddie appearing behind the drums. It’s complete cartoon rock nonsense and incredibly enjoyable. Dickinson still has a stunning set of pipes on him and with 3 lead guitarists you’re never far away from a solo.
It was a night for old metal heads to enjoy and also as Dickinson pointed out a large section of the crowd would not have been born when Number of the Beast came out but maybe their parents conceived them while listening to it making them Children of the Damned, what a great song intro.
Classic rock from a classic band
William McCarthy – The Caves, Edinburgh and Stereo, Glasgow
Took in both of McCarthy’s shows this week. He’s the former singer of Augustines who split last year and a band I only recently fell head over heels with just as they were splitting up. This was his solo tour and it was bloody excellent. Also my first ever visit to both these venues. Edinburgh was first up and I wasn’t quite sure what to expect from the solo show but it was a mix of electric and acoustic and various effects and a boom box thing. Worked really well and one thing you can never accuse him of is not putting everything into it despite him suffering some unpleasant after effects of a dodgy curry. Mostly Augustines stuff, a couple of new songs and a few covers. Loads of stories, including one how he came to be wearing a dress while he visited his brother in Folsom prison and even some improvising making up songs on the spot etc. Highly entertaining.
As I contribute to his patreon fund raising every month I got invited to a meet and greet before the Glasgow show. I thought it would be a bit of a soundcheck 15 mins of q&a and that would be it. An hour and 15 mins later we finally left and if the doors hadn’t have been opening he would have continued chatting to us. He is just a really nice down to earth funny and genuine guy and also a little crazy but in a good way. I told him I loved the unamplified version of The Avenue at St Lukes last year and he asked if he should he do that again? My answer of course was yes and he did and it was fantastic. The Glasgow show was much more raucous than the quieter Edinburgh crowd and as he was feeling better we got a longer show as a result. Even had a fainter in the crowd. Some brilliant singalongs and laugh out loud moments. He pretty much leaves it all on stage and Glasgow will probably feature in the top 5 gigs of the year. All for £12.50. Metallica can stick their £100 show I’d rather see 8 of these.
Thunder – great old school rock and unlike many of their contemporaries their latest release is pretty good. Still it’s the classics that always get the biggest reactions. Backstreet Symphony was great, Love Walked In with old school acoustic guitar on a stand, Higher Ground still sounds great after all these years. As a casual fan I could have done with a few more oldies but knew the set was top heavy with new songs. Bowes really is one of rocks most under rated singers. Fantastic voice and loud and clear last night. I do find the forced crowd interaction a bit wearing after a while but it seems to be a Thunder thing. At times Bowes is like an aged aerobic instructor though.
Support band Cats in Space – I expected them to be some young guns with a great opportunity to show case their talents. They were about the same age as us old rockers and ticked most of the rock cliche boxes. That said some of the musical passages were quite listenable but when a pal said they were like a wedding band and that kind of summed them up.
Seems like Glasgow was jumping with gigs last night. I decided against the overpriced shambling Ozzy and Sabbath although on another night I might have been tempted. Glenn Hughes was at the Garage but having seen him a couple of times so wasn’t that interested. Could have popped along to the concert hall for Olivia Newton John and I see above Fairport Convention were also in town. I choose Tyketto ahead of them all and I’m guessing probably the cheapest option ticketwise. You could get 4 Tykettos for a Sabbath. Tyketto are on the lighter scale of hard rock and released their first album Don’t Come Easy back in 91 which is an album I’ve always really liked. Due to line up changes, break ups etc I’ve never got to see them live until tonight although I do have a ticket for a gig singer Danny Vaughn played but I have no recollection of the gig whatsoever. Also this gig was a re-arranged one from last year so they made me wait even longer.
Anyway tonight was one I’d been looking forward to and it didn’t disappoint. Vaughn has a cracking set of pipes on him and is an engaging and chatty front man although he does have tendency to drift into too much ‘how great a crowd’ etc. territory which can get a little wearying after a while but the crowd seemed to like it and that just encouraged him no doubt. Some great songs particularly from the first 2 albums. Standing Alone, Burning down Inside, Wings and Forever Young from the 1st album were all highlights. They played a few tracks off the new album and they were more than passable.
All in all no regrets about giving Sabbath and Olivia a body swerve and not a bad start to the gig going year.
Jonathan Pie –The Stand
After seeing Jonathan Pie’s spoof videos online I really wanted to see how this would translate to a stand up setting and happy to report it was very, very funny. When I first saw his you tube videos I actually thought they might be genuine they were so well done. For those who don’t know, Pie is a character created by comedian Tom Walker who plays the part of a political correspondent for TV news and once he has delivered his piece to camera and is then off air he delivers some brilliant diatribes and rants about the government, their policies and the people involved.
It is biting and vicious political satire at its best. Last night’s set up had him as part of Children in Need so every so often he’d do a piece to ‘camera’ before coming back to the audience. It generally worked ok but was sometimes a little distracting as it meant he jumped about a fair bit on the topics he was talking about but only a small grumble. He did some brilliant deliveries about political correctness and freedom of speech that were funny but also gave pause for thought which is really what political satire should do. Of course the Tories came in for the majority of his attacks and to be fair quite rightly so bunch of scumbags that they are. Some of the visions he imagined involving Theresa May and chickens are best left forgotten though. Although he’s clearly left wing Labour wasn’t spared his anger either.
He even had to deal with a guy fainting and falling off his stool with a very loud thud in the closing part of the show which saw him go off stage mid rant but he returned as if nothing had happened 15 mins later. Fortunately the guy who fainted was also ok.
If you don’t know anything about Jonathan Pie I can recommend his you tube channel as a starting point.
Godspeed You! Black Emperor – Edinburgh Playhouse
Yet another trip through to the capital for a gig and also the first time since Neil Young 8 years ago I’ve been to the Playhouse. It’s a shame it has become the venue for ‘shows’ rather than bands as it is real old school and retains a charm few venues have these days. Tonight’s show was part of the Edinburgh Fringe programme and I’ll be returning to this venue in a few weeks to see Mogwai and hopefully my hearing will have returned.
Tonight though it was Godspeed You! Black Emperor who played their brand of post-rock, experimental rock, instrumental rock or whatever genre you want to place them in. I’m a relatively recent convert to the GYBE camp. They appeared on my radar not long after Mogwai but two bands who I wish had I had heard of a lot sooner.
Having battled traffic to get through from Glasgow I was sure I would miss the beginning of the show but luck was with me as the gig started almost as soon as I sat down. GYBE aren’t your normal band. On stage they consist of 3 guitarists, 2 bass players, 2 drummers and a violinist and they all amble onto the stage at various points of the first piece of music and create an almighty racket. GYBE play loud, very loud. They play in almost complete darkness, they have a screen behind showing films that don’t really show anything much, some footage of buildings, trains etc. they form a semi circle round the stage with no one in the middle and the guitarist in front of me was sitting down with his back to the audience, they don’t interact with the crowd apart from a half hearted farewell wave from a few members at the end as they troop off one by one, it’s odd but it works.
It’s an aural assault on your senses, their music makes you anxious, uneasy, on edge, euphoric. It’s a heady mix and you don’t get to relax at a GYBE show. The music builds and builds until at times you feel as if all 8 members are playing different tunes before it all comes back together creating a massive wall of sound before slowly dying away leaving you feeling slightly violated. Unlike most bands I go and see I couldn’t tell you the names of any of the musicians on stage or indeed any of the pieces of music they played although I did recognise the music. I think though that is part of the whole experience, at least for me. I’m sure plenty of folk know the titles and who the band are though. It’s fairly challenging music that over 1hr and 45 mins leaves you feeling quite drained.
I loved it.
It was probably the loudest gig I’ve been to this year at least it will be until Mogwai probably.
Status Quo – Ingliston Showground
Sadly an era is coming to an end for me. The Quo are hanging up their electric guitars and are due to do their final dates as an electric band at the end of this year. I believe they have some ill thought out plan to continue touring as an acoustic act which would be such a sad way to go from a band that played such great hard rock boogie in the 70s. They were my first music love and will always have a special place in my heart.
This whole situation has now been complicated somewhat by guitarist Rick Parfitt suffering a 2nd (may even be a 3rd) heart attack in May which he is now recuperating from. In the short term the band have recruited the bass player Rhino Edwards son Freddie to take over guitar duties and on this date they had brought in Irishman Richie Malone, who I believe plays in a Quo tribute band, to do the honours.
I was in two minds whether to go as Quo without Parfitt & Rossi is not Quo for me. The real Quo, imo, is the Frantic Four line up including Lancaster and Coghlan but I’ve made do with the Rossi/Parfitt line up for over 30 years and only go to hear the classic songs up to 1982. Anything after that, apart from one or two exceptions is a bit crap.
Anyway I decided seeing as I had a ticket anyway and I was a bit curious I’d go. This involved a mad dash up the road from Blackpool after an unplanned extra day on our holiday which involved a Pleasure Beach visit and then an even madder dash from home to Ingliston. I made it with 4 mins to spare.
The familiar drone heralded the band arriving on stage and regular set opener Caroline pierced the air. All the chords sounded in the right place but it wasn’t right. Not seeing Parfitt standing legs apart, his arm a blur as he thrashed out the opening chords to Caroline was just wrong, wrong, wrong. If you closed your eyes it sounded ok but watching the stage you knew someone was missing. That said I tried to enjoy it for what it was, one step away from a tribute act. They did an excellent version of Paper Plane that saw my trusty air guitar get an airing. One other downside of Parfitt being absent is we don’t get my favourite Quo song Rain but Don’t Waste My Time does get a welcome return. The middle of the show is a struggle as it usually is as we are subjected to the ‘newer songs’ which do seem to be crowd pleasers but I really don’t like them and don’t come anywhere close to the classics. And we get a drum solo, its 2016 and people are still doing drum solos. Why?
The closing run of Roll over Lay Down, Down Down, Whatever You Want and Rockin All Over the World was pretty decent before the band go off and come back and do Burning Bridges. A song that encapsulates everything that went wrong with Quo when the classic line up split. It was my cue to get a burger and head for the exit pausing just long enough to watch the band close out with Bye Bye Johnny and thinking, this might be it. The very last time I see Quo on stage 37 years after I first saw them live and my life changed forever.
Overall, for what it was it wasn’t as bad as I thought it might be, the new boy did well under the circumstances. The show was kind of short though at just over 90 mins and I’d expect a bit longer for £45 although I got a ticket for £20 so can’t complain too much. I have a ticket for the Final Electrics tour in December but if Parfitt isn’t there then I don’t think I’ll go having now witnessed the Parfitless Quo. I hope he makes a full recovery and we can finish our live love affair with one final flourish and with Parfitt in his rightful place and me with my air guitar going for it one final time.
Ritchie Blackmore’s Rainbow – Genting Arena
It’s nearly 20 years since Ritchie Blackmore hung up his trusty white strat to play medieval music. The man in black is a bit mad or if you’re being kind he’s just a little eccentric. Whatever he is he has been involved or is responsible for some of rocks greatest riffs and songs. So when he announced he was making a return to the stage to play the songs that had a major impact on my formative years in music I had to go.
So with 3 like minded old rockers we headed down to Birmingham with a sense of anticipation and probably a little trepidation. Could he still produce the goods after so many years, was his band going to be up to the job. Was he going to do a lute solo?
After a day of football, beer and some paint stripper called fireball (thanks Mike) we headed out to the NEC or Genting Arena as it’s now known. T-shirts duly purchased and seats taken we awaited the arrival of the legend. As the lights went down we were greeted with the intro music of Land of feckin hope and glory. A dirge at the best of times but in the current climate it was rubbing salt into the wound but it was replaced by the traditional intro from the Wizard of Oz. ‘Toto, I’ve a feeling were not in Kansas any more, we must be over the rainbow (Rainbow, Rainbow)’ and we were into the first classic of the night, on a night when just about every song would make classic status, Highway Star. Any fears or doubts about the band and Blackmore were soon dispelled. There were worries that instead of going for more well known musicians he surrounded himself with relative unknowns and members of his band Blackmore’s Night but the band sounded great although it was Blackmore we’d all come to see and he didn’t disappoint. He reels off some of rock greatest riffs with consummate ease and you have to remind yourself that he’s now 71. He may be using the Grecian 2000, probably some cosmetic work done and sports a ridiculous moustache but boy can he play guitar.
The man with the hardest job of the night was singer Ronnie Romero who had some big shoes to fill. We counted songs from 5 different vocalists in the set including Ronnie James Dio, Ian Gillan, David Coverdale, Graham Bonnet and Joe Lynn Turner. Some formidable singers in there but Romero did a fantastic job. He did justice and more to the classics that were rolled out and didn’t try to sound like the original singers but kept true to the feel of the songs. There were three particular highlights for me. Soldier of Fortune, Romero maybe didn’t have the deep resonance of Coverdale’s voice but this version was just as spine tingling, Child in Time was a song I first heard on Purple’s Made In Japan album over 40 years ago and was a real WTF moment, Romero proved beyond any doubt he was more than capable to take on this classic and the highlight of the evening was an incredible Stargazer where the whole band excelled and although it would have been great to see Dio up there I think he would have given Romero the seal of approval for his vocal performance.
The gig of course finished with one of rock’s greatest songs and riffs ’Smoke on the Water’ and you were left to reflect how many great songs Blackmore has contributed and then started to realise how many more he could have played that wouldn’t have been out of place in the set. It will be interesting to see if he does indeed retire once again from rock music and go back to wearing a funny hat and playing music from the 16th century or if he may have reignited a long dormant itch for playing loud rock music or if that itch has now been scratched. Whatever he does his place in the history of rock music is assured and if this is the end it was a pretty special way to say farewell.
Fish – O2 Academy, Newcastle
So this time it really is a ‘Farewell to Childhood’. I thought last December’s show at the ABC in Glasgow was going to be the final time I got to hear Misplaced Childhood in its entirety but a combination of Fish falling ill and his keyboardist breaking an arm meant rescheduled dates from the last tour threw up the opportunity of the Newcastle gig. The temptation was too much, I couldn’t say no. I was looking back through the years trying to calculate how many times I’ve heard all of Childhood live and I reckon this is either the 7 or 8th time through the Marillion and Fish years, including one that was almost a demo version before the album was released although I think it was just side 1 they played that night. I have a bootleg somewhere and a number of songs have different lyrics.
Fish was on stage sharp at 8 which nearly caught me by surprise. I was expecting an 8.30/9 start and literally got my spot as the lights went down. There are a few starters to get through before the main course. Never one to take the easy route we have Pipeline, Feast of Consequences, Family Business, The Perception of Johnny Punter dealing with diverse subjects as the Second World War, domestic abuse and Kosovo among them. It’s fair to say Fish struggled a bit with his voice. He had problems hitting the high notes and a bit of coughing and spluttering between songs pointed towards the onset of a cold. It was also a strangely subdued Newcastle audience. Maybe the opening selection of songs could have been angled more towards the better known Fish/Marillion material. I’m guessing the casual Fish fan isn’t as familiar with the solo material. I’d already heard these songs at Dalkeith and Glasgow last year and would have liked to have heard something different but I wasn’t here for those. Fish introduced the main event commenting on the shine from the follicle challenged in the crowd saying it made a great lighting effect.
We are all maybe a little older but the 30 years that have passed has not diminished the majesty of Childhood. It still sounds as great today as it did on its first listen and in many ways it sounds even better. It’s an album that means so much to so many. I was 20 when it was released and I guess I was leaving my own childhood behind although the child in me is never far away from the surface. It’s an album that, like Fish explained beforehand, holds so many memories. I’ve waxed lyrical about the album before but it is a stunning musical masterpiece and if you have never heard it what are you waiting for? There are sing-alongs a plenty and finally the Newcastle crowd found their voice. Lavender brings the goosebumps, Heart of Lothian brings the passion, Blind Curve brings the complicated hand clapping that is clearly beyond some people before we head for home with Childhoods End and White Feather. It’s all over far too soon and I’d happily have flipped it back over to side one and started again.
The band return for a rousing encore of Market Square Heroes and its mid section had some hand clappers just giving up as it all got just too difficult. We’re finally sent home with The Company ringing in our ears and the site of many portly men (and women) pirouetting like ballerinas. Maybe not quite up there with Glasgow but I’d quite happily go and hear Childhood every night if I could but all good things come to an end, a Childhoods End.
So it’s Farewell to Childhood, thanks for the great memories.
Kevin McDermott – Irvine and Admiral Bar
A couple of solo shows from Kevin over the last week. Both gigs pretty much sell outs and and Kevin rattled through some crowd pleasures and dusted off a few songs that haven’t been played for a while. He’s gearing up to go into the studio later this year and is going to go down the crowd funding route just go to get him over the line with enough money to do the record he wants to do. He’s also been talking about doing a Barrowlands show which would be with a full band later this year as well.
His Glasgow gig saw a rather drunk guy stumble and fall over the monitor at the front of the stage and land in a heap at Kev’s feet. In the process he also managed to break the mike stand which Kev coped with rather well as he was left with the kind of mike stand Freddie Mercury used to use so we got an impromptu version of Radio Ga Ga while they tried to get ‘drunk man almost passed out’ off the stage and a replacement stand. The drunk man in question also released some kind of toxic gas which I even got a hint of 20 odd yards away. Kev manfully played on with eyes streaming.
Despite the distractions a couple of nights of great entertainment.
Fish – ABC, Glasgow
This was just magic. A sold out show and the final time I would see Misplaced Childhood get a full airing in Glasgow. Was supposed to be the last time ever but a few dates were cancelled earlier in the tour and re-arranged. I celebrated Childhood with 1,000 other fans who clearly fell in love with the album as much as I did and we sang every word and transported ourselves back in time to 1985. It was a surprisingly emotional evening and even Fish couldn’t hold back the tears at the end. I thought the Dalkeith show earlier this year was good but this being a Fish crowd just blew it away.
I’m not sure what happened to the 30 years in between but as nostalgic events go this was just brilliant. Fish may be hanging up his boots in the next few years but this night will live long in the memory.
Kevin McDermott – Clarks, Dundee
It’s a bit weird that an artist whose albums I have loved for years has now become a pal of mine. Last night I was chauffeur, photographer, recording engineer and merch salesman rolled into one.
Kev has been suffering from flu for last few weeks so I offered to do the driving so he could keep his energies for more important things like playing. Took my mini disc along to record the gig and what an excellent gig it was too. Last time we were in Clarks the night was somewhat ruined by people talking through the gig. Last night it was completely different. Little chat at all and a really good night despite Kev’s voice suffering a bit.
He very rarely performs on his own so this was a bit of a rarity. He was taking requests shouted out by the audience some of which tested his voice beyond its current capability but he made a valiant effort. Some songs played that haven’t been played live for a while. A really enjoyable, good humoured night and made the drive through blizzards on the way home more than worth it.
The Waterboys – Concert hall Nov 10th & Barras Nov 11th
Bit late with this one
These gigs highlighted the importance of venue choice. I was a bit disappointed with the Concert Hall gig and thought I was maybe experiencing some kind of post U2 gig come down. It was just an average gig overall and nowhere near the high standards The Waterboys usually set. In complete contrast the Barras show was like a different band had turned up. On reflection i think this was down to the type of show the Waterboys put on. Mike Scott is in rock out mode on this tour and there’s not an acoustic guitar to be seen. Some lengthy band jams and just general loudness. This all kind of got lost in the sitting down crowd of the Concert hall who probably wanted to stand but were too polite. The Barrowland crowd, however, were their usual raucous self and this made the 2nd night into a much more enjoyable experience. Much the same set apart from the Barras got a version of Roll Over Beethoven and an absolutely stunning cover of Purple Rain as the final encore. I’m not generally a fan of covers but sometimes songs just seem to completely suit other artists and Purple Rain is perfect for The Waterboys. I must admit I could do without Whole of the Moon and Fisherman’s Blues these days but I guess they are the crowd pleasers. Belting version of We Will Not Be Lovers and a stripped down piano/fiddle version of Don’t Bang the Drum also stood out.
If Mike Scott decides to do this 2 gig thing again, as he has in the past, he should really do a more laid back show at the Concert hall before cranking it up at the Barras.
Concert hall 6/10
Steve Earle and The Dukes – ABC Glasgow
Last year it was Steve and a couple of guitars at the Kelvingrove bandstand. this year he returns with the Dukes in tow and a right raucous sound they made too. Loudest and heaviest I’ve heard Steve in all the years I’ve been going to see him. For a man whose going through his 8th divorce he was in fairly chipper mood, plenty of between song chat and he’s man worth listening to when he talks. Considering he ran away from home at 14 to follow his hero Townes van Zandt, ended up in jail, had a drug and alcohol addiction that should really have killed him and 8 divorces. You could say he’s lived a life and he has many a story to tell. The gig contained a concentration of songs from his new album Terraplane which is Steve’s take on the blues. A bit hit and miss for me but sounded much better live. There was a classic run of My Old Friend the Blues, Someday, Guitar Town, Copperhead Road, and the wonderful Goodbye. As Steve introduced the latter song he talked about all the songs he had written and how sometimes it was hard to remember exactly when they were written but he remembers when he wrote Goodbye as it was the first song he wrote sober. A song that could either be saying goodbye to the drink and drugs or to one of his many wives/girlfriends, it works for both, just a fantastic song and highlight of the set for me.
The set was 31 songs long so far too many to mention by name but a couple of great covers in Hey Joe and Wild thing. The latter combined with The Revolution Starts Now brought the show to a rousing end. An excellent night in the company of one of my favourite artists. He’s up there with the great singer/songwriters of our time imho.
Public Service Broadcasting – The Quay Sessions@BBC
Bit of a bonus this one. Never got a sniff of a ticket in the ballot so posted on the band’s FB page to see if anyone had a spare and J. Willgoose, Esq the keyboardist, guitarist etc. in the band responded saying he’d put us on guest list. Result. The Quay sessions is a weekly radio show hosted by Edith bowman who did introductions and a short interview with the two bands on. The other band was Adam Holmes and the Embers who were very listenable and the singer did a nice line in deadpan humour.
PSB were second on and were without their usual visual devices that add to the music but it didn’t really matter the music stands up perfectly well without the visuals. About an hours worth of material pulled from both albums. Highlight for me was The Other Side, an incredibly atmospheric piece based on Apollo 8, the first mission that flew round the back of the moon and losing contact with Mission control. You get the whole drama from the original voice tapes. You almost feel like cheering when contact is again established. We of course got the classic Spitfire and Everest. The latter with the addition of a brass section. We certainly got our money’s worth and looking forward to seeing the full show in Edinburgh in November.
Fish – Midstock Festival, Dalkeith Country Park
It’s always special to hear one of your favourite albums played in its entirety but there was a little bit extra this time as Fish is a Dalkeith boy and a lot of the Misplaced Childhood album was written around his experiences of living in the area. he even used to walk around the very park he was playing to write some of the album. You could tell he was absolutely bursting with pride at playing in his hometown.
Arriving on stage he started with Pipeline from the album Suits a rather odd opener but it showed off many facets of a multi talented band. Once it was finished it was onto the main event 50 mins of one of my favourite ever albums and 50 mins where I was transported back in time to 1985 when the album came out. Fish and I both had hair then and were probably a few pounds lighter but it took me back to those brilliant barrowlands gigs. Childhood just doesn’t have any weak parts. Even Kayleigh in the context of the album sounds great. There are plenty of singlaongs, synchronised hand clapping, some of it quite technical and beyond some folk. Songs about lost love, innocence of childhood, war, amongst others, as concept albums go it has a myriad of subject matter but it all blends into an absolute masterpiece for me. This tour will be the last time we’ll hear this album live and every moment has to be treasured as Fish is planning to retire from the music business next year and for me will be a huge loss. Market Square Heroes finished his set off and had the while crowd bouncing which is not bad for a mostly 50 year old or over crowd. It was a stunning performance made extra special by the setting. Pretty much guaranteed a top 5 spot in gigs of the year list.
AC/DC – Hampdump
I’d hummed and hawed about this gig since it was announced. AC/DC without Malcolm just seemed all wrong and the loss of Phil just compounded the issue. I also thought £70 odd quid for a ticket was ripping the piss a bit. Still as the gig approached I decided I’d go but try and score myself a bargain as one of the by products of the secondary ticket market is people buy tickets thinking they can make a quick profit and some do but others are left with tickets they can’t sell so off I headed with a price of £40 as my top line price. Outside I scored a ticket for £35 although it was a seated ticket but by the time I got there getting near the front would have been an impossible task.
Sadly Hampden is still a crap venue for gigs and football and in that respect it didn’t disappoint but once AC/DC hit the stage and Angus started duck walking across the stage I knew I’d made the right decision. A 60 year old man shouldn’t really be wearing a school uniform or careering around the stage but he is simply a legend and like every gig I’ve seen him he just gives it everything and more. The setlist bar three new ones and one from Black ice was just a long list of classic rock songs, Sin city, Shoot to Thrill, Hell Ain’t a bad place to be, Let there be Rock, Whole Lotta rosie, dirty Deeds etc. etc. An incredible list of great songs. The usual crap sound of hampden was there and it was sometimes hard to hear Johnson singing although his voice has seen better days so maybe not a great loss but you could hear Angus loud and clear and that was really why I decided to go. Sadly Malcolm’s dementia reminds you once again your rock heroes are not immortal and won’t live for ever but you still think they will. I thought cousin Stevie did well as a replacement but there was just something not quite there although hard to put a finger on exactly what. Same with Slade on the drums. He did a good job but again the lack of the classic Phil back beat just took a little gloss off the show.
Angus was, well just Angus. There’s no one quite like him and there never will be another Angus and it was sad to think this will probably be the final time I get to see him play live. I really can’t see AC/DC doing another tour unless they head out on some farewell shows but somehow that doesn’t quite seem the AC/DC way. Angus and AC/DC played such a massive part in my formative music years and they may not be quite the force of old but they still kick most other bands well into touch. Watching Angus strut around that stage was an absolute pleasure and almost a privilege, might even have been worth £70.
Not the best I’ve ever seen them, i put that down to the loss of 2 major personnel, but if that is their swan song then not a bad effort. Will probably be writing this kind of review in another 4/5 years time.
Faith No More – O2 Academy
Bit of a mixed bag for me. Concert was a bit like their albums, they’ve never done a killer album but have some killer songs. Gig was much the same when on their game on songs like Epic, Last Cup of Sorrow, Midlife crises and the outstanding and best song of the night Ashes to Ashes they’re untouchable but these moments were, for me, to few and far between. FNM have always lived on planet quirky and it was funny watching the stage take shape during the cross over after the support band. All the amps and monitors were covered in white with on the the black drum kit remaining untouched then suddenly a seemingly never ending flow of flower boxes appeared and were placed along the front of the stage, along the speakers and in front of the drum kit, all very bizarre. The gig started off well with the opening motherf****r which allowed everyone to feel a little rebellious and dangerous while screaming motherf****r at the top of their voice. I’m much more of fan of the melodic side of FNM and tonight there was too much shouty stuff for me. Singer Patton prowled the stage like a caged tiger and snarled into the mike a lot but it was all a bit of show.
It’s been 22 years since I last saw Faith No More and i would go and see them again as when they hit the sweet spot they are great and just about worth hanging on in on the dodgy bits, especially that cover abomination of Easy that is feckin rank. Some of the new stuff stood up well but I’d love to have heard, From out of Nowhere, Falling to Pieces, A Small Victory and Every things ruinerd in the set.
Therapy? – Oran Mor
An outstanding show from Therapy? and takes them to the top of gig of the year list so far. I always loved the Troublegum album but the course they took after that wasn’t for me but after last year’s show where they played Troublegum in full my interest was re-ignited and their new album Disquiet also heads my album of the year list so far. Tonight’s set was mostly made up from those 2 albums. It wasn’t a night for worrying about talkers as it was loud, very loud. A ferocious 90 mins that had little let up. Andy Cairns is a bit of a mad staring loon and his lyrics are clearly from a deranged mind but he produces some brilliant riffs. You can’t go far wrong with songs like Die Laughing, Nowhere and Joy Division cover Isolation. The new stuff stands up really well and is in the vein of the Troublegum album with Tides, Torment, Sorrow, Misery, Strife and the quite magnificent Deathstimate outstanding.
A small hot and sweaty club gig with ear drum bursting perfect sound and brilliant songs were all the ingredients required for a top gig. A most excellent night.
Status Quo, Aquostic – Concert Hall
The first time I’ve ever been apprehensive going to a gig. Quo playing acoustic is so wrong on so many levels that I’d almost talked myself into not enjoying this before even getting there. I’d seen the Roundhouse show, I’d listened to the CD and just thought, naw this isn’t right. Despite all that I still had to go to see them. A stone’s throw from where the mighty Quo strode the Apollo stage and the scene of my first gig nearly 36 years ago and here we were all sitting down looking at a stage full of chairs, acoustic guitars, an accordion, a string and percussion section. Seriously WTF?
And then they came on. All 16 of them and off we went with the majority of songs from the golden era of Quo in the 70s and you know what, I really enjoyed it despite all my misgivings. I got to hear Quo songs live that I would never have otherwise heard. The crowd were really into it and being so close to the action in the second row I could see the band and in particular Rossi and Parfitt looked to be really enjoying it and it rubbed off. As a one off tour and something completely removed from the usual Quo it worked. I wouldn’t want it replacing the normal Quo shows but in its own way it was a most enjoyable evening. Songs you think wouldn’t work acoustically came over really well like, Paper Plane, Rain and surprisingly Mystery Song. Songs I was hearing live for the first and probably last time included Claudie, Reason for Living, and It’s Better now and All the Reasons. Marguerita time and Burning Bridges are still crap electric or acoustic though and others like Caroline and Down Down didn’t quite suit the acoustic treatment but overall it was entertaining and really not what I was expecting at all.
Now if they can just get the Frantic Four to grace our presence again I’ll be an even happier bunny,
The Airborne Toxic Event – Garage
Last time I saw TATE it involved a mad dash in the car from Bognor Regis to Brighton, train to London, Subway to Shepherds Bush picking up a half price ticket outside and getting into the venue 5 mins before band came on. A slightly less frenetic journey this time to a venue that seems to feature rarely on my gig schedule these days for some reason. Anyway to the band themselves, I say this every time but still a mystery to me why TATE aren’t bigger, they have excellent songs, some big sing-along choruses and an engaging frontman in Mikel Jollett and just generally a tight little band. Anyway for selfish reasons I’m glad they aren’t playing bigger venues. They are here promoting their excellent new album Dope Machines of which about half gets an airing. The rest of the set is made up from the first album and All At Once with only one song from previous album Such Hot Blood. They don’t really mess about much and it’s a high energy 85 mins or so, which is my only complaint that it was a bit on the short side. May have something to do with the Garage’s curfew time. I was told on the way in they would be on at 8.15 but didn’t come onstage until 8.30. Particular highlights included opener Wrong, Gasoline, Wishing Well and the still brilliant Sometime Around Midnight.
Kevin McDermott & Robbie McIntosh – Village Inn, East Kilbride/The Darroch, Gourock
Two grand theatres of rock n roll were the venues for a couple of dates for Kevin and Robbie. Both similar in size and both above the main bar and sadly both full of people who just talk, all the feckin time. Particularly in The Darroch as it cost a £10 to get in and you could drink to 1am so folk seemed to do that and weren’t bothered who was playing. Very annoying and frustrating for those of us there to see Kevin and Robbie. Despite this though they put on a couple of good shows with Kev on good form and Robbie bringing his virtuoso guitar playing. He even did a couple of solo songs to highlight his craft. Was speaking to him afterwards and he’s in big demand. Plays with Tom Jones when he tours, was heading off to do something with Mark Knopfler, backing Thea Gilmour on her tour and a few other things on the go. He was of course the original guitarist on the great Mother Nature’s Kitchen album before Marco joined KMO. Sets were pretty much the same both nights with the MNK and Bedazzled making up most of the set with only Icarus landing and Jenny Lynd coming from outside those two.
Hopefully Kev gets back in the studio and gets cracking with a new album and gets the band back doing dates sooner rather than later. An enjoyable 2 nights though despite the talkers.
Gun – Barrowlands
An unexpectedly excellent gig. I had bought a ticket for a friend’s birthday and decided to go as well after the King Tut shows last year. I did the Tut shows because the first two Gun albums are great albums and tonight was a run through of Taking On The World along with songs from new album Frantic and few others along the way. Dante is no Mark Rankin but I think it’s time to put that one in the past as tonight Dante while still a bit rough round the edges for a front man seems to be gaining confidence and singing better. He does have a bit of an annoying habit of letting the crowd sing a lot of the words but other than that he is coping much better with the old stuff and the songs from the new album sounded surprisingly strong and clearly he’s much more at home singing those ones.
I could have done without Word Up which for me is where it all started to go a bit titts up for them even though they are the only Scottish band to win an MTV award which they got for best cover for that song. I remember Dante telling the story at the Tuts shows and I found it hard to believe so I’m willing to be corrected on that but he seemed to be pretty sure.
There was also a great reception from the crowd and a lot of love for the band which made for an extra special evening. The kind of atmosphere you wouldn’t have got at a show outside of Glasgow.
The nights highlight was final song Shame on You but Better Days, Inside Out were also up there. One complaint was it was advertised as playing Taking On the World but they didn’t play all of it but i guess having a new album out they wanted to give those an airing and i think they played about 6 new songs.
It really was a much better show than I was expecting and I think I’ve become a convert to the new Gun.
To top it all off I found a new Gun T-shirt on the floor on the way out and it was my size
Placebo O2 Academy
Placebo have always flown under the radar a bit. Tell most people you’re going to see Placebo and 90% of them will probably say who? Despite this here they are playing 3 Scottish dates in Edinburgh, Glasgow and Aberdeen. Not many bands of their size will do that these days. They’ve always been a band who are slightly dark and menacing and their music demands strobes and lots of them and that is what we got with lots of nice colour flashing backgrounds as well. Have to say the band were on excellent form last night. Having checked to see what the setlist was like I knew they were leaning heavily on latest album Loud Like Love, which i initially was disappointed with but has since grown on me, and the Meds album for some reason. There was barely a nod to anything before that with only one track from each of their first three albums which was a pity as the crowd particularly loved Special K. Live the band are now augmented on stage by three supporting musicians who share guitar and keyboard duties and really fill the sound out and what an excellent sound it was. one of the best I’ve heard at the much maligned academy.
Overall it was a pretty much a show of in your face of loud guitars and flashing lights from the off to the end which suits me just fine. Next year is Placebo’s 20th anniversary and they promise some celebrations. It would be great to hear Teenage Angst back in the set again with some other old favourites.
Fish – ABC
My last gig of 2014 and also the last gig of Fish’s tour. An excellent night in the company of Fish who is always a great host and can tell a story or two. Large chunk of the set was taken up my his latest album Feast of Consequences but that’s ok as it is a pretty good album. Some Marillion classics in the shape of a rousing Slainte mhath, Heart of Lothian and Incubus and a few from the Fish solo back catalogue.
He’s threatening to pack it all in in a couple of years. It will be a sad day if he does. Was thinking it’s over 30 years since I first saw Marillion. That’s kind of scary.
Quo – Hydro
A milestone in my gig going history as by my calculations this was my 50th Quo show, although I include Live Aid in that as I wouldn’t have gone if Quo weren’t playing. Since the Frantic Four shows of the last few years my interest in the current Quo has waned quite significantly but I still buy a ticket out of habit. Fortunately it looks like Rossi has taken on board the experience of the FF and Quo played a set laden with classic old Quo rather than some of the nonsense they have produced in recent times. An opening run of Caroline, Something ’bout You Baby I Like, Rain, Paper Plane, Little Lady and Hold You Back is a pretty impressive start for any Quo fan. There were a few of the songs the current Quo recorded but welcome inclusions of Blue Eyed lady and Oh Baby that were aired on the FF tour. Sadly there was a drum solo and burning bridges but overall better than i was expecting and they seem to have beefed the sound up a bit. Parfitt looks incredibly healthy for a man who has been through so much and still plays rhythm guitar like a demon. Rossi was well Rossi cheeky banter etc. I got a ticket for the acoustic show in April but there is so much wrong with that.
Anyway better this Quo than no Quo at all so probably same time next year
Carter USM – Shepherds Bush & Brixton Academy
24 years since my introduction to Carter the Unstoppable Sex Machine with the Sheriff Fatman single and 22 gigs later, it’s all over. One of the best live bands I’ve ever seen and a band that played a huge part in my life. The 30 Something album was a permanent fixture on my playlist and still is to this day. They were also the band that got me back into getting down the front at gigs after I decided standing at the back trying to look cool was boring and the fun was all down the front. They are also the only band I’ve ever wanted to crowd surf for.
Their final 2 gigs were a fantastic celebration of a fantastic band. Carter live are just phenomenal, partly down to the band but also the huge part the fans play in making the shows so memorable. The last 2 gigs took this to a different level. Particularly on the final night where the crowd were jumping about and crowd surfing during the warm up music. I’ve never seen anything like it before a band has hit the stage.
Shepherds Bush on the Friday night was great but it was just the starter to the main course on the Saturday. It was epic. A blinding light show as always, an almost perfect sound and a setlist few could have any complaints about. Nearly all of 30 Something was aired with only, ironically, Sealed with a Glasgow Kiss missing. All the ‘Drum machine years’ albums were represented with 101 Damnations providing the bulk of the rest of the set. There were the covers with Pet Shop boys Rent and This is How it Feels from the Inspirals. Over the years these songs have just become Carter songs as they are perfect for their sound and style.
Highlights? Where to start? Shoppers Paradise has always been top of my Carter fav list and on the 2nd night saw my first crowd surf of the weekend. Wasn’t planned as I usually wait until Fatman but the guy in front of me in the pit got a hand up from his mate and he looked at me and I thought feck it and up I went. Seemed to be up there for ages. The security guys were absolutely brilliant both nights. At times it was just a sea of surfers heading towards them and some of them even bigger than me. Other highlights are really hard to pick out as it was really just one big highlight. The crowd knowing that it was going to be the last time we heard these songs live gave it everything for each one, singing, bouncing clapping, moshing, surfing. It was joyous.
As the end approached Sheriff Fatman extracted the final reserves of energy as the pit went into overdrive, it also gave the surfers their final chance to go over the top of which I was one. Like Carter I’m now officially retired from crowd surfing. The show was being filmed for a DVD release so wonder if either of my surfs will make the final cut. The final song GI Blues saw the crowd in full voice and when Jimbob put his arm around Fruitbat as he sang the final words there were more than a few in the audience who were exhausted, drained and maybe just a little emotional as they witnessed the end of an era.
If you are going out then go out in style and Carter did it in spades. One of my favourite bands ever and I’m going to really miss seeing them live. Amazing what 2 men, 2 electric guitars and a drum machine can do.
Jimbob, Fruitbat thanks for the memories, it has been an absolute blast.
Setlist for Brixton
My Second to Last Will and Testament
Everytime a Churchbell Rings
Midnight On The Murder Mile
Anytime Anyplace Anywhere
A Prince in a Pauper’s Grave
While You Were Out
Billy’s Smart Circus
Do Re Me, So Far So Good
Let’s Get Tattoos
Lean On Me I Won’t Fall Over
This Is How It Feels
After The Watershed (Early Learning The Hard Way)
The Only Living Boy In New Cross
Bloodsport For All
The Music That Nobody Likes
The Impossible Dream
Glam Rock Cops
And God Created Brixton
Falling On A Bruise
The Final Comedown
Gun – King Tuts
First of a 3 night residency playing their first 3 albums in full. Although tonight’s was Taking on the World they didn’t play it in track order which was a slight grumble. There is no Mark Rankin of course who sang on the original but bassist Dante moved to take over the vocals a few years ago and does a good enough job. Would love to see Rankin back but not going to happen. Tonight was a real celebration of some great songs that have really stood the test of time very well. I fhad forgotten how many great songs there are on the first 3 albums until I revisited them for these gigs. There was a real love and warmth from the audience as well that made for a most enjoyable evening. Looking forward to Gallus tomorrow night.
James – Albert Halls, Stirling
James are setting up some kind of residency in Stirling these days. A few weeks after the intimate stripped back show we were treated to the intimate full band show and what a show. Easily a contender for gig of the year. Some bands just take live shows to a different level and James are one of those acts. I’ve pretty much run out of superlatives for them. The songs from new album La Petite Mort were just stunning live. Think they played 7 in total from the new one with Curse curse, All I’m Saying and Moving on just jaw droppingly good. There’s not many acts out there who have been around as long as James who could get away with that many new songs in their set but if anything some of these songs got a better reception than the oldies of which their were plenty. from opener Say Something to singalong set closer Born of frustration we had Laid, Just Like Fred Astaire, Vervaceous, Come Home, some deepcuts with Greenpeace from Whiplash and a b side that didn’t even make the b sides album called All good boys.
All in all just a great night and to top it off I bumped into guitarist Larry Gott afterwards.
James – The Tollbooth, Stirling
What a brilliant night in the company of James. The intimate surroundings of the Tollbooth in Stirling where a lucky 165 fans got to witness James in a much more relaxed and unique setting.
The night started off with Ainslie Henderson who was the man behind the brilliant Moving On video. He did an enjoyable, if short set, and also coped admirably with some good natured heckling from Saul who had introduced him to the stage.
It was then time for James. The night had been advertised as an acoustic evening but there wasn’t an acoustic guitar in sight. What we had were 5 members of James with drummer David Baynton-Power and trumpeter/percussionist Andy Diagram absent. This meant Saul jumped between violin, guitar and percussion with one of the stage techs occasionally filling in on drums. From the opening bars of Dream Thrum you just knew it was going to be one of those nights. A 12 song set comprised of 5 songs from the new album La Petite Mort and hearing them live for the first time confirmed to me what a brilliant album it is. We also had some real deep cuts with Undertaker being played for the first time in about 25 years. Blue Pastures from Whiplash also got a rare airing. There were the more familiar James songs in there as well with She’s A Star, Getting Away With It All Messed Up and Top of the World.
All through the show Tim told us the stories of the songs and how they, unlike other bands, like to under rehearse so it gives their performances an edge. This was apparent when Tim fecked up Bitter Virtue not once but twice even after having the lyrics taped to the floor but these are the unique James moments that the fans love. Sadly it was all over too soon, I really could have sat there and listened to them all night.
After the show the band returned for a short Q&A session which took some surprising twists and turns. Larry Gott recounted how his father was suffering from dementia while Tim told a great story about someone stealing his shoe at a Barrowlands gig when he was crowd surfing and he ended up chasing the guy through the crowd as he really liked the shoes and he said the guy got the fright off his life when he turned round and Tim was standing there saying ‘give me my f*****g shoe back’.
Playing a future gig at the Barrowlands was discussed and the band would love to do it but a variety of business things get in the way. I.e. if they don’t sell out the Hydro then they can’t do a Barrowlands show as well but I get the feeling it will be sooner rather than later when the do a show there.
What came across was how down to earth and humble the guys were. There were no airs and graces and they genuinely seemed to enjoy the show and the Q&A. It really was a special night in the company of a very special band.
Dream Thrum/Walk Like You/She’s A Star/Frozen Britain/Undertaker/Blue Pastures/Shining/Interrogation/Bitter Virtue/All I’m Saying/Getting Away With It All Messed Up/Top of the World
Public Service Broadcasting – Strathclyde uni
A bit surreal this one. This was a show set up as part of Freshers week at the Uni so wasn’t open to the general public. Luckily I managed through andysayscfc and dubcentral to get on the support act Kasule’s guest list. Kasule themselves were excellent and I really enjoyed their set. We decided to avoid the Prides and headed down to the bar. I must admit to feeling my age a bit surrounded by students. We headed back up for PSB and found the hall was still pretty empty and most of the crowd looked to be of an older generation who had found some way to get into the gig. It didn’t look as if the students were that interested only a few were in attendance, a pity as if this gig was open to general public they would easily have sold the venue out.
The band themselves are as tight as ever starting with London Can Take It and finishing with Everest and in between they ran though most of Inform, Educate and Entertain with the addition of
Elfstendentocht, Parts 1 & 2. Thought we might get some new stuff but not to be. interesting to see how the stuff pans out though.
Pearl Jam – Leeds Arena July 8th
You know I like Pearl Jam and I’ve almost run out of great things to say about them live. I saw the band from a different perspective on this show though. Normally I’m down in the middle of the pit but as I’m still recovering from back surgery I was sat in the disabled section which was actually just seats sitting on the concourse behind the first tier. Brilliant (and very comfortable) seat and also meant for a change i could get a drink as the bar and toilets were just behind me through the doors. Got chatting to the guy next to me and asked him why he was sitting and he said he just had a kidney removed so that trumped my back surgery.
Anyway seeing Pearl Jam from a different perspective reinforced my view that they are one of the best live bands around and in my view pretty much are the best. On stage for 3 hrs 20 mins and played 36 songs. Just a phenomenal show. You never know what you are going to get at a Pearl Jam show so every song is a surprise. They only played one of my top 5 songs (Black) and maybe only 3 of my top 10 songs but it didn’t matter. I got to hear a few songs i hadn’t heard for while like Tremor Christ, Push me Pull me and Smile. Got to hear 4 new songs and see Baba O’Riley for the first time live. 3hrs just flew in and i even managed to get out of my seat for a few songs. The only song I’ve still to hear them play live that I want to hear is the crown of thorns and just my lick they played it at feckin Milton Keynes the bassas. next time.
A brilliant show by a brilliant band.
Neil Young – Echo Arena, Liverpool
I was surprised there was no guest appearances at the PJ MK show or at Neil’s Hyde Park given the close friendship between these two. This show was added to make up for the cancellation last year when Frank “Poncho” Sampedro broke a bone in his hand, this time the horse is missing Billy Talbot who had suffered a mild stroke pre tour with Rick the bass player taking his place. A reminder that we should enjoy Neil and Crazy Horse while we still can. They are a remarkable band. They arrive on stage and go into an 8 minute guitar solo of Love and Only Love which I loved but I’m sure a fair few of the crowd weren’t expecting it. Does Neil give a feck, not a chance. He does what he wants to do and if you don’t like it tough he’s not a crowd pleaser in that respect. I’ve said it before I could watch and listen to Neil and the horse play all night. I’d have preferred to hear the same setlist that he did in Glasgow last year with Powderfinger, hey hey my my etc. but I was still happy with what we got. Can’t go far wrong with 3 songs from Ragged Glory, an acoustic Heart of Gold that brought out the goosebumps and finally after threatening to play it the last few times I’ve seen him the organ finally descended from the ceiling for an incendiary Like a hurricane that finished the night off.
Will we see Neil and Crazy Horse on these shores again? I feckin hope so as the man is a true legend.
Kevin McDermott – Beacon Arts Centre, Greenock
A rare full band outing for Kevin which, as much as I like the acoustic shows, I prefer. Tonight he’s ably assisted by Stuart McLeod on guitar, his brother Jim on drums and new recruit Nick Blyth on bass. pretty much a run through most of Mother Nature’s Kitchen and Bedazzled with a few others thrown in. Highlights among many were Master of the Man which was excellent along with Where We were meant to be, Into the Blue and Angel which started out as the last part of a 4 song acoustic set featuring only Kevin but he was joined by the rest of the band halfway through. All in all a cracking gig in a very nice venue. I hope Kev keep his promise about recording a new album. I’ve said it countless times on here but he really should be a massive act but fate intervened and his music now only reaches a limited but appreciative audience. Sadly talent isn’t the only attribute you need for success or in many cases you don’t even need that. Great to see him with a band and hopefully not long until he’s playing again.
Placebo – Academy Dec 13th
On any other year this probably would have been top 10 material but a combination of so many quality gigs this year and a set that leaned a little to heavily for my liking on the new album and Meds saw it just a really good gig but that could have been better. they also lost points for not playing Teenage Angst the way it’s meant to be played. Despite the moans it was a cracking show. New stuff came across well live as the album is more than a bit patchy. Moloko is an acquired taste and i can see how people don’t like him or his voice but I’ve always been a fan. Like many other 3 piece bands they’ve augmented their live show with some additional musicians to fill out the sound and it makes for a much fuller experience. Highlights of the night for me were speak in tongues, Special K and Infra Red.
The Waterboys, Concert Hall Dec 9th and Barras Dec 10th
Two fantastic nights in the company of The Waterboys. For me Mike Scott is one of the greatest songwriters of the last 20 odd years and tonight showcased his whole range of talents surrounded by superb musicians all in tune with his mojo. The Fishermans Blues shows are to support the recently released 121 song, 6cd box set of the Fishermans Blues recording that spanned over 3 years from 1986 and saw them record in California to Spiddal house in Ireland and a number of points in between. The box set is almost 6 albums that could have been released on their own merit which is one reason Scott released them as a box set. There are some fantastic songs on there that may never have seen the light of day.
Anyway onto the shows. The concert hall show was done to the backdrop of Spiddal House and at the end of the show they brought out chairs etc. to recreate the picture on the front cover of the Fishermans Blues album which was a neat touch. The set consisted of mostly songs from FB album and sessions as you would expect but we also got Don’t bang the Drum, A Girl called Johnny and of course Whole of the Moon amongst a few others. The outstanding song of the night for me was final song Saints and Angels which is probably my favourite Waterboys song and had only appeared officially on Live Adventures but on many bootlegs. Scott had brought together the mainstays of the FB sessions, the fella that fiddles Steve wickham, Antony ‘Anto’ Thistlewaite and Trevor Hutchinson. Sadly drummer Kevin Wilkinson is no longer with us and his place was taken by Ralph Salmins. Other highlights were We Will not be lovers which always reminds me of Scott’s intro to the song years ago sarcastically saying this is dedicated to Margaret Thatcher. Raggle taggle gypsy and of course Fishermans Blues itself were other stand outs. Leaving the show it was good to know i would be doing it alla gain the following night with hopefully a bit of a change in the set.
The Barras was the best of the 2 shows mainly due to the Barras crowd which still outdoes any other Glasgow venue. The majority of the set was the same with 2 significant changes, a raucous Be My Enemy and tonight’s set closer A bang on the Ear which was the stand out song from night 2. Sadly no Stolen Child or Anyone here seen Hank but can’t have everything. I’ve lost count of the number of times I’ve seen Mike Scott and The Waterboys but they never fail to be anything but great (apart from the Yeats album) and tonight was as good as I’ve seen them. Easily slips into the top 10 shows of the year.
Airbourne – O2 ABC Dec 6th
Good old fashioned in your face, take no prisoners very loud rock n roll from Australian rockers Airbourne. There’s something about seeing a backline full of Marshall stacks that gladdens the heart and although in some bands cases the cabinets are fake I’d bet that Airbourne’s are real. They’re that type of band. For 90 mins there is no let up and in Joel O’Keeffe they have their lunatic frontman, guitarist and singer. He does the walks through the crowd on roadie’s shoulders a la Angus, opens beer cans by continually hitting them off his head and the rousing rock n roll speeches like, and you have to do this in a loud rasping rock n roll voice, – “as long as we are alive and you are alive then rock n roll will never die”.
Great fun. Rock n roll needs bands like this
Föllakzoid Broadcast Nov 26th
Taught in the school of Neu Chilean krautrockers make an incredible sound for 3 guys. The hypnotic beat of motorik allowed the guitarist plenty scope to play with effects pedals and create a wall of mesmerising sound. If you like your krautrock then you really need some Föllakzoid in your life. A well needed pick me up after the CL disaster and only a fiver. Great stuff. Thanks to dubcentral and andysays for bringing this band to my attention. There just aren’t enough krautrock bands out there today.
Reflektor -Barras Nov 15th
I had pretty much talked myself into this gig being crap. Dressing up, short set followed by dj. Arriving at the gig it felt like some posh school dance and was set up like some school disco. Had dodgy gig written all over but feck me was I wrong. Absolutely stunning gig. The new songs are so much better live and I think will now make listening to the album a different experience. A set short on oldies and I thought beforehand Power Out would be the highlight of the night and although it was the first to get a brilliant crowd going the highlight for me was Afterlife. It’s good on the album but amazing live. Plenty of great gig moments. On Sprawl which Regine sings lead vocal I noticed Win jump off the stage and saw him appear at the side of the crowd watching the gig and then got back up to sing the chorus then he disappeared again and this time he walked through the crowd playing a cowbell. During Here Comes the Night he grabbed a guy out of the crowd who danced about a bit before stage diving and crowd surfing almost to the back of the Barras. I was thinking as the gig was coming to a close that Wake Up would pretty much make this a perfect night but as it hadn’t been played previous shows I expected to be disappointed. So after Haiti finished Win said they’d been keeping this for a special occasion and I could see the drums coming out and a perfect end to an amazing gig. I was hoarse just singing one song. i could moan about the lack of back catalogue but I think that would be missing the point of these shows. it’s just a shame I have to do it all again tomorrow.
Alice In Chains – Support Walking Papers & Ghost – O2 Academy Nov 14th
Thought I’d get in early to see Walking Papers who include Duff Mckagan from GNR and Barrett Martin from Screaming trees within their ranks. Well worth the effort as they were most enjoyable. Nothing ground breaking just well played rock n roll. Also included singer Jeff Angell singing the last song from the stalls area in the middle of the crowd. not sure if this is a side project or bonafide band but worth checking out.
Up next we had Ghost. I knew what to expect having checked them out in the afternoon to see who they were but still seeing them turn up in cloaks and masks just made me laugh. not sure that was their intention mind you. As if that wasn’t bad enough the singer walks on looking like a zombie pope with hat and outfit. hard to take them seriously after that but once I’d got over how ridiculous they looked the music wasn’t that bad. The singing was atrocious though.
And then it was onto Alice In Chains in all their brooding, loud dark magnificence. Normally if a band lost their singer I wouldn’t want the replacement to be a sound alike but it works in AIC. William Duvall sounds eerily like the late Layne Stayley and as a huge part of the sound of AIC was a blend of Staley and Cantrell’s voices then this works perfectly. Bizarre to think they’ve only released 5 albums in 23 years (6 if you include Sap) although there was a 14 year break between albums 3 & 4 during which Staley died in 2002. Their songs are dark, very dark and the music is dark very dark. if you could get black lighting then AIC would use it. As it was they had 2 screens either side of the drummer that flashed up various images and it was simple and effective. The band themselves are tight as feck and relentless. One of the loudest gigs this year but for the most part perfectly clear. Think we got a slightly extended set than other Uk shows as well. Highlights were many but Check My Brain, the mayhem pairing of Them Bones & dam the River, Grind and the epic closer Rooster were particular standouts.
A superb night by a superb band that didn’t need any gimmicks just hard and loud rock music.
Public Service Broadcasting Oran Mor Nov 5th
Another brilliant show from PSB. They have played gigs aplenty since I first saw them back in May and it really shows as they have become a finely honed live act. A couple of new tunes tonight that dealt with the subject of ice skating in Dutch. I think they could mould a tune round most subjects to be honest. Going to be very interesting to see how the 2nd album goes. Another to add to the very long list of cracking gigs this year.
The Airborne Toxic Event – Shepherds Bush Empire October 7th
Didn’t think I’d get to see TATE on this tour after having to give away my Glasgow ticket due to being on holiday down South but as luck would have it they were playing London while I was down in Bognor Regis and after getting the ok from Mrs kevtic I had a bit of a mad dash to get to the gig. This involved driving to Brighton, train to Victoria and Tube to Shepherds Bush, picking up a half price ticket outside and arriving inside about 5 mins before the band came on.
And was it worth it? Damn right. Three albums in and TATE have become a really tight live band with an impressive list of songs to choose from and with an almost perfect sound made for a most enjoyable evening. Mikel Jollett is an engaging character and possesses a very distinctive voice that separates them from other bands. I’m still surprised they haven’t made it much bigger over here but I think a complete lack of promotion from the record label might be to blame for that. The set was comprised as you would expect from their 3 albums plus an airing of new song Hell and Back from a soon to be released film soundtrack. Hard to pick out any significant highlights as it was just a great gig. Although hearing Graveyard Near the House kind of made the whole trip worthwhile. Numb, Happiness is Overrated, Timeless and the still brilliant Sometime Around Midnight maybe edged it amongst the others but a great show from beginning to end.
Happy to report the band were in much better spirits than the somewhat odd show at the Arches in Glasgow last time I saw them. Well worth the 6 hour round trip.
Roger Waters – phones4u Arena (formerly the MEN Arena) September 16th 2013
The Wall show may have lost the surprise element after 4 shows in the last 2 years but it still has the power to enthral and transfix me. The scale of the show is epic and knowing what is coming up replaces surprise with anticipation. From the opening bombast of In the Flesh with explosions, flag waving soldiers perched high above the crowd, deafening noise and the ending of a Stuka crashing into the Wall (and that’s only the first song) to the 12 members of the band playing Outside the Wall in front of the fallen bricks about 2 hours later the show is just incredible.
Of course The Wall is a flawed masterpiece that meanders all over the shop but as a rock show and spectacle it’s hard to beat. The Waters anti-war message is always to the fore and the footage of the children welcoming their fathers’ home from war during Bring the Boys Back Home always tugs on the heartstrings. During the intermission pictures are shown on the completed wall of those killed in conflict sent in by fans some containing stories of how they died. The futility of war never clearer.
The animation and use of the wall throughout the show is at times overwhelming. It’s hard to take it all in. Throw in a flying pig, giant inflatables of schoolmaster, girlfriend and mother and of course a 40ft wall it’s epic on a grand scale. Tell someone you watched a gig where the first couple of songs of the 2nd set all you see is a wall while the band play behind it they would think you were mad and they are quite possibly right.
All in all a fantastic show and one slightly tinged with sadness as with Roger turning 70 last week you have to think this could be the last time he will tour. I hope it’s not as Floyd played such an important part in my formative musical years and seeing their music live is one of lives real pleasures.
F**k Buttons SWG3 Sept10th
Well it was 2 guys but it was a million miles from the Kevin McD show reviewed above. If you like your instrumental electronic music to be loud then the FB’s are your band. The first time ever I thought a few songs in I should have got some ear plugs. There was virtually no let up either as each piece of music ran into the next. It wasn’t until the encore and some kind of silence descended that you realised how loud it actually was. That all said it was feckin tremendous. It was loud but clear. Only disappointment was no Stalker but I did get Olympians.
Another in along list of cracking gigs this year. think my top 5 will need to be a top 10 this year
Kevin McDermott – Victorian Bar, Tron Theatre, August 31st, (Matinee and evening performance.)
Kevin McDermott joins an exclusive club of acts I’ve seen twice in the same day. Back in 84 (I think) Marillion did a matinee and evening performance at the Barras when there star was shining at its brightest. Joining them now is Kevin McDermott whose star may have slightly waned over the years as his recorded output and live shows became all too sporadic but for me he is still one of the finest acts to come out of Scotland and it was an absolute pleasure to spend an afternoon and evening in his company.
The whole day was a little surreal if I’m honest. The afternoon started with me leaving a children’s’ birthday party early in Carfin to dash to the 60 odd capacity venue in one of the bars of the Tron Theatre on a Saturday afternoon. Both shows were a sell outs and as you would expect it was the diehards who had come along. We were treated to pretty much all of Mother Nature’s Kitchen, a fair chunk of Bedazzled, Icarus Landing from Those In Peril from the Sea (just for Remy ) and September Songs from the excellent Wise To the Fade, his last record in 2008. Joining him on stage for the bulk of the set was Robbie McIntosh, who has among others on his CV stints with the Pretenders and Paul McCartney. He also played on the aforementioned Mother Nature’s Kitchen and provided the perfect accompaniment to the event.
Post afternoon gig I met up with Kevin as I had a couple of spare tickets for the evening show that I’d asked him to re-tweet and he said he’d take them as he had an unforgiving guest list. I’m apparently going to be in receipt of a special parcel from the man himself as a show of thanks. All I wanted was a t-shirt for them as well. I also got a name check at the evening show.
Of the two shows the night one was the best. Great versions of Master of the Man, What Comes To Pass, Where We Were Mean to be and a great singalong of Healing At The Harbour. There really wasn’t a duffer among them and a thoroughly enjoyable day and I’m still amazed how Kevin isn’t a much bigger act than he currently is. Probably bad luck and right place, wrong time etc. the story of many great acts sadly. On the bright side he plans to release new material next year and do more gigs and I for one am looking forward to these. It would be great if he got the recognition he deserves.
Filter – Liquid Rooms Aug 26th
A rare sighting on these shores from the ex NINs man Richard Patrick’s band. Think they did V festival. London and this date, over 10 years since they were in Scotland. I’ve been a big fan since hearing Title of record in 1999 and is still one of my fav albums so was really looking forward to this. It didn’t disappoint another in along line of great gigs this year. They create an incredible wall of sound for 4 guys. Labelled industrial rock and in a similar vein to NIN they tear through a set that pretty much covers their entire 6 album career including a few from new album The Sun Comes Out Tonight, which I can highly recommend. Patrick said they got a great reception at Leeds and talk of some money being put behind them to promote the new album and get them over to Europe again sooner rather than later. Even did my groupie thing and got my pic taking and a quick chat with the main man.
Status Quo – Falkirk Stadium
Sadly not the frantic four line up and I only bought a ticket the day before as my enthusiasm for the current Quo line up has been somewhat diluted since the brilliant Frantic four gigs in March. Old loyalties die hard though and once I’d got myself there, suffered the dullness of 10cc, apart from rubber bullets which is still a great song, and the rain stayed off i started to get the Quo pre gig butterflies which fully kicked in once the Quo drone started that preceded their entrance to the stage. Doesn’t matter how many times I see it but once the opening chords of Caroline start i still get the goosebumps and shivers and I was off. An opening 4 of Caroline, Paper Plane, Hold You Back and my personal fav Rain was a great start to the show and combined with an almost perfect sound it was like old times. But the dichotomy with Quo for me is I’m pretty much not interested in anything they’ve done since 1982. I only go for the classics and it pretty much equals out half and half. Tonight though i felt much less tolerant of the ‘new’ songs. None of them are a patch on the Frantic Four Quo. Still I couldn’t argue with a set closing finish of Roll over Lay Down, Down Down, Whatever You want and Rockin All over the World and i can only hope the strong rumours of the frantic four touring again next year are true.
This was my 45th Quo gig and I’ve seen them better but I’d rather see this version of Quo than none at all new songs or not. As long as i get a fair number of classics i guess I’ll be there until the day they are no more.